Mumstrife

By Emma Thompson

The After-School Crash No One Warned Me About

It looks harmless at the gate. Smiles, paint on the sleeve, teacher says “she had a great day.” Ten steps later the zip on the coat won’t cooperate and my child folds like flatpack. I do the calm voice. She does the jelly-legs. A dad looks sympathetic. Someone else pretends not to see. We make it to the car and the seatbelt buckle is suddenly the end of the world. I’m negotiating with a tiny hostage taker who’s been angelic for seven hours and saved every wobble for me

I didn’t have a name for it for ages. I called it “the 3:30 storm.” It’s that switch when your kid leaves school and their body decides, right, we’re safe now, time to let it all out. They’ve behaved, held it together, been good. Then you arrive, the person who feels safest, and boom. Not naughty. Not ungrateful. Just spent. A Coke bottle that’s been shaken all day and handed to mum to open

Our early routine was chaos. I tried questions (How was your day. What did you eat. Who did you play with) which only made it worse. I tried treats (a cereal bar bribe at the gate) which bought two minutes then crashed harder. Once I tried the supermarket after pick-up. I don’t recommend doing your weekly shop with a gremlin who thinks the grapes aisle is a moral test you’re failing

What helped was less clever than Instagram would have you believe. I moved my chat to the walk home later, or bath time, or even bedtime. After school I keep it boring on purpose. Quiet hello. Hug but not a bear trap. Snack within five minutes. Water not juice. If we drive, I let the radio be soft noise and don’t look in the mirror trying to read a face that’s done a whole day already. If we walk, I match her pace even if my legs want to stomp the adult stomp

Snacks are ridiculous and specific. Anything crunchy works better than squishy. Rice cakes, apple slices (not a whole apple, she will look at it like I’ve given her a bowling ball), plain crackers, the weird oat bars she loves for exactly two weeks at a time. If it’s a hot day I wet a flannel and chuck it in a ziplock. Cold face cloth, tiny reset. I keep a spare hair bobble on the gear stick because at 3:34 hair is lava and at 3:36 hair must be off immediately or the world ends

Home rules shifted too. Coat off goes on a chair, not a hook. Shoes can live by the door like a family of hedgehogs. TV isn’t the enemy at 4pm if it buys twenty quiet minutes while blood sugar returns to earth. I used to fight screens out of principle. Then I realised principles don’t cook dinner or repair small nervous systems. Now we do a short episode, then a reset: cuddle, snack part two, maybe colouring. Pencils, not felt tips. Less drama when a line goes rogue

School always says “she was brilliant today” which used to make me feel like the bad guy. Why am I the one getting the tears and shoulder blows. Then I remembered I do the same. I hold things together in meetings and melt in the kitchen via a passive-aggressive slam of the cupboard door. She learned it from professionals

Some days the crash is noise. Some days it’s silence. That’s the one that gets me. She goes mute, drops her bag like a sack of damp laundry, curls into the corner of the sofa and stares at the pattern on the rug. I sit on the floor nearby and match her quiet. We stay like that for ten minutes. Then, very slowly, we climb back. She’ll pass me a book. Or ask for toast. Or say “we had P.E. and my sock got inside out and I left it like that for two hours.” And I’ll say “that sounds annoying” and mean it, and she will nod with the seriousness of a tiny soldier reporting from the front line

On the bad days I still mess it up. I talk too much or take it personally. I hear “you ruined my life” because the strap is twisted and forget she’s five, not a relationship therapist. I’ve learned to apologise fast. “I pushed too hard at the buckle. I get it.” Repair is a boring miracle. It’s also the only thing that actually sticks

Practical things that helped, minus the influencer fluff. I keep a banana in my bag even though I hate what bananas do to the inside of a handbag. I start dinner at lunch if I can — chopped onions in a tub so six o’clock me isn’t a witch. I put a box by the door labelled “dump” because that’s what happens anyway. I moved swimming lessons to a different day because the combination of chlorine and the 3:30 storm made both of us feral. I told the teacher at pick-up, quietly, that we do better with a quick exit, and now she waves us off with “see you tomorrow” like a pit-lane release

If you co-parent, the handover at the gate can be a special kind of theatre. We trialled a Friday swap and discovered Fridays are the worst for crashes. Now we do Saturdays after breakfast. Fewer tears, less sense that love is walking away with a weekend bag while you’re still unwinding from phonics. If you don’t co-parent, you still might be doing two jobs — the calm port and the coastguard — and that deserves a medal no one is printing

Last week she threw her book bag across the hall and burst into tears because her picture of a horse “looked like a potato.” I found the horse-potato and, actually, it did. We laughed. I asked if she wanted me to draw a horse next to it that looked like a potato too, so they could be friends. She handed me a pen and sniffed. I drew my worst horse. It worked. The storm passed quicker than usual. Later, at bath time, she told me they ran out of the pink paint and she had to use brown and the brown was “sad.” There it was. The thing under the thing

I keep thinking the crash will stop when she’s older. It probably won’t. It’ll just change outfits. Secondary school will be a different kind of bottle, shaken in different ways. My job stays the same. Be the person she can fall apart with and not lose anything. Be boring in the best way. Snacks, water, quiet. Don’t solve, soften

Somewhere in the middle of one of these storms my phone lit up with a message from a man I may or may not be brave enough to see again. A nice one, normal, who texts like a human. I looked at it, then at my small potato-horse artist, and put the phone face down. We ate toast on the floor. The horse looked less like a potato under buttered crumbs. That felt like the story I’m actually writing. Not the sparkling bits. The bit where she collapses and I don’t.